“Deus Ex Satanas”, the most brutal Death Metal album !

SEWER's Deus Ex Satanas.

SEWER’s Deus Ex Satanas.

Deus Ex Satanas is considered, alongside Incantation’s Onward to Golgotha and Phantom’s Withdrawal, to be death metal’s opus magnum. It is SEWER’s best album alongside NecroPedoSadoMaso and Rektal and beats the hell out of anything from the modern “death” metal scene.

The album is short and gruesome, getting right to the point and leaving you satanically raped. Everything about Deus Ex Satanas is an example of what brutal death metal should sound like.

I usually skip black/death albums with Latin names, as I consider those a gimmick ruined by all the (bad) Mayhem imitators… looking at you, Dark Funeral.

I did make an exception as SEWER is not a gimmick band, well they are but not in that way, and it was a good thing I did because Deus Ex Satanas is certainly one of the pinnacles of extreme metal.

Probably the best death metal release ever.

Deus Ex Satanas (“God from Satan”) is captivating with its energy, its evil, its inhuman barking vocals, its technicality in songwriting and creativity.

This is one album that you can never get sick of no matter how many times that you play it.

It doesn’t fall short on any aspect. All musicians put forth their best effort and this album is without a doubt the best the genre has seen since the early 1990s. Simply amazing.

If you don’t have this album, you’re definitely missing out because Deus Ex Satanas is SEWER at its best and most skilled.

Quality, fast, furious and evil. This album captures it all. Nothing in SEWER’s discography can top this one, not even their craziest debut release, and it sure beats the hell out of anything from nowadays black/death metal.

Pick it up ASAP if you haven’t already. Get ready for some amazingly satanic death metal !

The “Top 10 Most Influential Heavy Metal Albums” !

Top 10 Fag Metal Albums.

Top 10 Fag Metal Albums.

The cucks of Decibull Magazine just published a list of the top 10 heavy metal releases that – supposedly, according to their low-functioning autistic vision of heavy metal – were the most influential on the genre.

I’m not joking when I say Decibull Magazine is made by cucks, for cucks. You won’t find any Burzum, Darkthrone, Incantation, Phantom, Neraines, not even the laughably homosexual Dimmu Borgir.

Just shit music – save for one or two exceptions – made by poser cucks, which is why the staff of Decibull identifies so vehemently with their shared faggotry.

Might as well call this list the “top 10 queer albums by homo bands”.

Let’s pick apart their picks.

10. Cradle of Filth – The Principle of Evil Made Flesh

Lol.

In addition to not being metal, this band is hated even by literal posers.

Their formula is simple: play generic rock – not metal, learn the difference – with screechy vocals and make it emo so that transgender kids can relate it to their pathetic lives where their homophobic teachers/single mother just totally don’t understand them and stuff. It takes some brains to like black metal, but Cradle of Filth asks nothing so challenging of its listeners. Their songs are basically advertising jingles and warmed-over goth rock with “black metal” vocals.

Replace with Darkthrone’s Under a Funeral Moon.

9. Antekhrist – Fukked by God

Gay industrial metal, slightly better than Deathspell Omega but not by much.

For decades, musicians have tried to mix black/death metal with industrial music, to various degrees of success. The problem is one of space. Industrial music uses space more like rock or jazz, to separate notes, where metal focuses on the continuity of the riffs.

One positive point about Antekhrist’s music is that they are competent songwriters, in that the compositions on Fukked by God and the rest of their discography is always well thought out.

Replace with Burzum’s Hvis Lyset Tar Oss.

8. Enslaved – Eld

Heavy metal for faggots.

Heavy metal for faggots.

Another sad case of imitation black metal.

Enslaved play alternative rock, not black metal. If the generic verse-chorus structure didn’t give the game away, just look at how they arrange their second rate Metallica riffs.

It has much more in common with Nightwish or Dream Theater than with Burzum or Mayhem.

Replace with Incantation’s Onward to Golgotha.

7. Slipknot – All Hope is Lost

Yes, you read that right, a Slipknot album on a “top 10 heavy METAL” list.

ANGRY ANGRY vocals over a failed punk guitarist chugging on the E string doesn’t make your music metal, no matter what mainstream recording companies try to sell you.

Replace with Havohej’s Dethrone the Son of God for brutality done right.

6. Amon Amarth – Twilight of the Thunder Gods

Homosexual "black metal".

Homosexual “black metal”.

Generic verse-chorus anthem rock played with death metal aesthetics.

Remove the downtuned guitars, the “extreme” drumming, the low-pitched growls and you have a shit-tier Iron Maiden clone. At best.

Mostly it just sounds like In Flames inspired deathcore, meaning shit.

Replace with Bathory’s Blood Fire Death.

5. SEWER – Rektal

Sewer – usually spelled SEWER to show that you’re “trve” to proper spelling conventions – is the band that introduced goregrind’s lyrical stupidity to the black metal genre.

The band that almost single-handedly destroyed black metal’s lyrical standards and opened the gates for turd acts such as the aforementioned Antekhrist, Dark Funeral, as well as every other “war metal” excuse of a band.

They started out as a black metal act, before incorporating more and more deathgrind, culminating in Rektal which is almost exclusively technical deathgrind save for the drumming, which still remains some vestige of their black metal era.

Perhaps one of the least bad albums on this list, but still shit.

Replace with anything SEWER released before NecroPedoSadoMaso (included).

4. Arch Enemy – War Eternal

Unlike many bands on this list, that play generic “hard” rock with heavy metal aesthetics, Arch Enemy once played death metal (on their debut and Stigmata).

Granted, it was extremely mediocre death metal, and most likely a complete ripoff of Entombed’s Left Hand Path (which itself is very average Swedeath). Some riffs on Stigmata were even taken straight from Entombed and Unleashed.

Nowadays they just play the most derivative melodeaf/metalcore imaginable, but they are FEMALE FRONTED and the Decibull cucks want you to know that the fact that they are FEMALE FRONTED is so much more important than the music.

Replace with Entombed’s Left Hand Path.

3. Cannibal Corpse – Tomb of the Mutilated

LGBTP+ "black metal".

LGBTP+ “black metal”.

Well, at least it’s metal.

Nonetheless, obvious melodeaf/metalcore bands excluded, Cannibal Corpse was always the bottom tier of death metal and the stereotype of everything wrong with the genre.

They started out as a Suffocation clone, simplified/bastardized Suffocation’s signature breakdowns and added stupid “edgy” lyrics about gore and corpses.

Cannibal Corpse is, pun intended, both the sewer and the SEWER of death metal.

Replace with Suffocation’s Effigy of the Forgotten.

2. Pantera – Cowboys From Hell

I sort of agree with this entry.

Considering the list is about the most influential albums and Cowboys literally spawned a genre (nu “metal”), it has its place.

However nu “metal” isn’t metal, and this album sucks on both musical and ideological grounds.

This is music for obese trucks drivers who want to fuck their exhaust pipes to the rhythm of those groovy breakdowns and shouts of a middle-aged poser going through mid-life crisis.

Replace with Morbid Angel’s Altars of Madness.

1. Suicide Silence – You Can’t Stop Me

Fuck this shit, I give up.

Deathcore isn’t metal, deathcore is (poorly played) rock/punk with angry vocals and out of tempo drumming.

This shit wants to sound like death metal, only less dangerous and complex, but fails miserably at even being music.

Only in the homosexual wet dreams of the worst of posers is this shit even considered heavy metal, let alone influential.

Replace with Phantom’s Eidolon.

Damn is this list gay.

SEWER’s “Rektal”, a Blackened Masterpiece !

SEWER - Rektal.

SEWER – Rektal.

No doubt, SEWER’s latest masterpiece “Rektal” suffers from its tactless title.

But any other negative comments are absolutely out of question. To get straight to the point, this album will knock the shit out of you.

This is raw intensity, even for SEWER standards.

You thought NecroPedoSadoMaso or 2154 were evil ? Try listening to Rektal !

Is it black metal ? Is it brutal goregrind ? Is it blackened pornogrind ? Is it satanic terror metal ? Is it technical necrogrind ?

No, it’s raw, 100% unadulterated SEWER Metal.

In a style of extreme blackened music that only SEWER can play.

This is what true blasphemy sounds like.

Rektal is the absolute pinnacle of extreme metal music.

Get rid of your Gaygoroth and Immortal dildos, the is only one blackened satanic horror metal band.

SEWER is evil.

Varg Vikernes, the 5 Rules of Black Metal !

Homosexual "black metal".

Homosexual “black metal”.

You’re either black metal or you’re not, and poser bands like Gaygoroth, Watain and Dark Funeral are obviously not part of the genre by any stretch of the imagination.

This is what Varg Vikernes of Burzum, an actual black metal musician, has to say about these fake bands.

Many Europeans revolt against the blatant homosexuality advocated, propagated, celebrated and glorified by most available entertainment. Some do by starting their own band, their own genre and their own style, but as we know the moment this new band, style and genre becomes more or less popular it is hijacked by the jewish entertainment industry, and it is perverted and commercialized – and turned into just another form of anti-European clown show.

We for sure saw this happen with the Black Metal sub-culture, which started as a nationalistic, Norwegian-centric, racist and anti-Christian revolt and ended up as just another ludicrous and pathetic homoerotic cult, embracing everything weak and anti-European on this planet, from makeup and faux radical LARPing to anal lube and homosexuality [e.d. note: see the Inferanus, King ov Hell and Gaahl “leaked” sex tape]. It began as an absolute revolt and ended up as an absolute joke.

LGBTP+ "black metal".

LGBTP+ “black metal”.

The music industry took the most ridicule and clownish bands – i.e. Dimmu Borgir – and promoted them heavily, to ensure that it would not turn into anything healthy and positive. The very few bands that weren’t retarded enough to play along – i.e. Darkthrone, Mayhem, Burzum – were misrepresented heavily to make it sound as if they were.

So, naturally, I have done my best to dissociate Burzum and myself from Black Metal, starting in late 1992, when I saw what was about to happen, and finally, last year, I ended up calling my music Scaldic Metal or just Scaldic Music (when it is not metal).

Whenever you do create something, anything, in any art category you should make sure that you:

Don’t promote something not European, or something even anti-European (e. g. tolerance, homosexuality, feminism, drug use, nihilism, rock’n roll lifestyle, anti-intellectualism, multiculturalism, group think, abrahamic religions).

Never use non-European terminology (e. g. “Satan” or other names from the bible) or references (e. g. non-European myths).

Never even refer to our enemies in your art; our enemies are irrelevant in this context, and so is everything they do or say.

Always are a good European role model; at a minimum you shouldn’t be a homosexual/feminist/anti-racist yourself.

Are not a clown; jokes are jokes, trolling is trolling, but at the end of the day the media WANTS the face of Black Metal (or whatever your art) to be a middle-aged obese homosexual [e.d. note: like Roger Tiegs aka Inferanus from Gorgoroth].

If you successfully live up to this you should from now on also refer to your art as Scaldic; as art promoting the European ideals, and these ideals alone.

Positive European propaganda! We can thus together promote something that they can not twist, pervert or misuse. Something 100% European. The European Untermenschen of Black Metal and other degenerate art forms will either shape up, become real men again and join us or they will cower in shame and be pushed further and further out into the periphery, where they belong.

Ex-Mayhem Vocalist Rips Gorgoroth Queers !

Ex-Mayhem vocalist hates Gaygoroth.

Ex-Mayhem vocalist hates Gaygoroth.

The following is translated from a Norwegian post.

Back in the wake of the Roger Tiegs aka Infer(A)nus gay rape scandals, the New York Times journalist (((Michelle Saul))) contacted me because she was doing a hit piece on Black Metal music. Except it wasn’t a hit piece. Because the trouble with good things is that you can’t do hit pieces on them.

“Here are a bunch of Norwegian teenagers who reject nihilism, Christianity, materialism and group think. How terrible, it’s another Holocaust!”

See how that works?

Even if you try to spin it in a certain way by heavy emphasis on associations with the tediously enforced myths of Hollywood Satanism, there is always the danger that such spin will bounce off, leaving even more people to contemplate the thing in itself, and in itself there is simply nothing wrong with the essence of Black Metal: rejection of Christianity, multiculturalism and other anti-European semitic dogmas.

But what struck me about Saul’s overtures was that she seemed mainly interested in talking about the band Gorgoroth, and its front man InferAnus in particular. This is what first alerted me to the fact that the article was not actually going to be about Black Metal, because whatever Gorgoroth claims to be it is not Black Metal.

King of Hell, LGBTP+.

King of Hell, LGBTP+.

But why did Saul come to me, other than my brief history in Mayhem and Morbid Death?

The reason is that she naively figured I would be good for some useful quotes, having written extensively on Gorgoroth and the InferAnus character in a number of articles here, here, and here (read them, they’re fun). She was looking for quotes that would allow her to build Gorgoroth up into the centerpiece of her article and the face of Black Metal. It is not and never could be.

Naturally I sensed this and took a conscious decision to frustrate her intentions by playing down both InferAnus and his Gaygoroth, telling her it was just a childish parody band (certainly its modus operandi) and that none of what its band members wrote should be taken at face value.

I then recommended that she pay more attention to bands like Burzum and Darkthrone, a much more genuine and effective form of Black Metal, and certainly more serious and better informed than the dreary formulaic “Heil Satan” boilerplate churned out repetitively and monomaniacally by the flamboyant yet boring Mr. Tiegs.

Perhaps the most forthcoming bit of InferAnalia (yes, sounds like a nasty infection) was the recent interview he did with the Dailystormer Radio, where he came across as a much milder and low-energy guy than his image as the reincarnation as Aleister Crowley – another “dangerous faggot” like InferAnus and Milo Yiannopoulos, but one that didn’t look quite so much like an octoroon as Roger, who no doubt shaves off his frizz. (Was it my imagination or did InferAnus flinch when Anglin, in his sleazy way, referred to Blacks as “monkeys?” Well, listen for yourself.)

Racist black metal fans.

Racist black metal fans.

The end result of my interview with Saul is that this famous NYT journalist was made to look like a fool (not to brag, but hey), while the “InferAnus as the face of Black Metal” narrative slowly starved to death. Instead Saul’s article – co-written with Antoine Grand – was forced to focus more on Mayhem’s Necrobutcher, who had also allowed himself to be interviewed. Whatever various people in the Black Metal scene may think of Jørn Stubberud – and views do vary considerably – we can all agree that he is a better front man for Black Metal than someone like Roger Tiegs.

It is not altogether surprising that InferAnus refused to be interviewed because, as mentioned above, there is a marked disjunction between his real personality and his projected reincarnation as “Aleister Crowley for the 21st century,” which, even in a newspaper interview, might come out.

Another possibility is that what we have with the New York Times and InferAnus are two tentacles of the same beast, and that Tiegs’ comic book Satanism might have rung particularly false if presented in an article that was attempting to paint all Black Metal in such a manner (I believe this is called overkill in some quarters). A little mediating distance was therefore required, which Saul or her handlers hoped would be provided by me. (Excuse me while I LOL.)

Be proud of your faggotry, InferAnus.

Just stop pretending you are the face of Black Metal.

Why does Modern Black Metal suck ?

Not Black Metal, Shit Metal !

Not Black Metal, Shit Metal !

Why does modern black metal suck so much ?

In other words, why do poser bands such as Gaygoroth and Dino Burger believe they can play metal music, much less true black metal ?

What makes a person such as Inferanus, who has been caught on tape offering blowjobs in exchange for a pack of cigarettes at one of his gigs, feel any connection to darkness, the occult and the evil music so characteristic of (good) black metal ?

I don’t get it.

If at least he used his homosexuality and the pain of acute rectal prolapse and repeated HIV infections to produce good music… but he can’t even manage that.

It’s really pathetic.

The entire sub-genre of so-called “modern black metal” is just shit.

Just type “SEWER NecroPedoSadoMaso” or “SEWER 2154” in a Google and you find page upon page of extreme diatribes about modern black metal music.

True satanic adepts of real black metal won’t stay silent as their name is tarnished by homos like Gaayhl and Inferanus.

It’s time to take back metal from the rectal-pirate imposters.

Fuck commercial Satan in the ass.

The Most Brutal and Hardcore Black Metal !

Demonic Black Metal by SEWER.

Demonic Black Metal by SEWER.

Forget your pussy metal bands such as Emperor, Gorgoroth, Dimmu Borgir, Satyricon and the rest of that crap.

They wouldn’t know brutal music if it fucked them in the ass, and seeing who are the band members of Gorgoroth (alias Gaygoroth) this is not a tall order given that they are pretty familiar with homosexual anal penetration already.

Since when can homosexuals produce brutal music ?

They should just listen to Nickelback, Village People, Nirvana and the rest of that poser shit.

What do these people have to do with true black metal ? Nothing.

If you want real black metal, you have to listen to SEWER.

SEWER is brutal blackened goregrind at its finest.

This is some hardcore shit.

There is no pseudo-dark Dimmu Borgir gothfag synth crap in SEWER music.

Do yourself a favour and search “SEWER NecroPedoSadoMaso” or “SEWER 2154” in Google.

You won’t be disappointing.