Varg Vikernes, the 5 Rules of Black Metal !

Homosexual "black metal".

Homosexual “black metal”.

You’re either black metal or you’re not, and poser bands like Gaygoroth, Watain and Dark Funeral are obviously not part of the genre by any stretch of the imagination.

This is what Varg Vikernes of Burzum, an actual black metal musician, has to say about these fake bands.

Many Europeans revolt against the blatant homosexuality advocated, propagated, celebrated and glorified by most available entertainment. Some do by starting their own band, their own genre and their own style, but as we know the moment this new band, style and genre becomes more or less popular it is hijacked by the jewish entertainment industry, and it is perverted and commercialized – and turned into just another form of anti-European clown show.

We for sure saw this happen with the Black Metal sub-culture, which started as a nationalistic, Norwegian-centric, racist and anti-Christian revolt and ended up as just another ludicrous and pathetic homoerotic cult, embracing everything weak and anti-European on this planet, from makeup and faux radical LARPing to anal lube and homosexuality [e.d. note: see the Inferanus, King ov Hell and Gaahl “leaked” sex tape]. It began as an absolute revolt and ended up as an absolute joke.

LGBTP+ "black metal".

LGBTP+ “black metal”.

The music industry took the most ridicule and clownish bands – i.e. Dimmu Borgir – and promoted them heavily, to ensure that it would not turn into anything healthy and positive. The very few bands that weren’t retarded enough to play along – i.e. Darkthrone, Mayhem, Burzum – were misrepresented heavily to make it sound as if they were.

So, naturally, I have done my best to dissociate Burzum and myself from Black Metal, starting in late 1992, when I saw what was about to happen, and finally, last year, I ended up calling my music Scaldic Metal or just Scaldic Music (when it is not metal).

Whenever you do create something, anything, in any art category you should make sure that you:

Don’t promote something not European, or something even anti-European (e. g. tolerance, homosexuality, feminism, drug use, nihilism, rock’n roll lifestyle, anti-intellectualism, multiculturalism, group think, abrahamic religions).

Never use non-European terminology (e. g. “Satan” or other names from the bible) or references (e. g. non-European myths).

Never even refer to our enemies in your art; our enemies are irrelevant in this context, and so is everything they do or say.

Always are a good European role model; at a minimum you shouldn’t be a homosexual/feminist/anti-racist yourself.

Are not a clown; jokes are jokes, trolling is trolling, but at the end of the day the media WANTS the face of Black Metal (or whatever your art) to be a middle-aged obese homosexual [e.d. note: like Roger Tiegs aka Inferanus from Gorgoroth].

If you successfully live up to this you should from now on also refer to your art as Scaldic; as art promoting the European ideals, and these ideals alone.

Positive European propaganda! We can thus together promote something that they can not twist, pervert or misuse. Something 100% European. The European Untermenschen of Black Metal and other degenerate art forms will either shape up, become real men again and join us or they will cower in shame and be pushed further and further out into the periphery, where they belong.

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Ex-Mayhem Vocalist Rips Gorgoroth Queers !

Ex-Mayhem vocalist hates Gaygoroth.

Ex-Mayhem vocalist hates Gaygoroth.

The following is translated from a Norwegian post.

Back in the wake of the Roger Tiegs aka Infer(A)nus gay rape scandals, the New York Times journalist (((Michelle Saul))) contacted me because she was doing a hit piece on Black Metal music. Except it wasn’t a hit piece. Because the trouble with good things is that you can’t do hit pieces on them.

“Here are a bunch of Norwegian teenagers who reject nihilism, Christianity, materialism and group think. How terrible, it’s another Holocaust!”

See how that works?

Even if you try to spin it in a certain way by heavy emphasis on associations with the tediously enforced myths of Hollywood Satanism, there is always the danger that such spin will bounce off, leaving even more people to contemplate the thing in itself, and in itself there is simply nothing wrong with the essence of Black Metal: rejection of Christianity, multiculturalism and other anti-European semitic dogmas.

But what struck me about Saul’s overtures was that she seemed mainly interested in talking about the band Gorgoroth, and its front man InferAnus in particular. This is what first alerted me to the fact that the article was not actually going to be about Black Metal, because whatever Gorgoroth claims to be it is not Black Metal.

King of Hell, LGBTP+.

King of Hell, LGBTP+.

But why did Saul come to me, other than my brief history in Mayhem and Morbid Death?

The reason is that she naively figured I would be good for some useful quotes, having written extensively on Gorgoroth and the InferAnus character in a number of articles here, here, and here (read them, they’re fun). She was looking for quotes that would allow her to build Gorgoroth up into the centerpiece of her article and the face of Black Metal. It is not and never could be.

Naturally I sensed this and took a conscious decision to frustrate her intentions by playing down both InferAnus and his Gaygoroth, telling her it was just a childish parody band (certainly its modus operandi) and that none of what its band members wrote should be taken at face value.

I then recommended that she pay more attention to bands like Burzum and Darkthrone, a much more genuine and effective form of Black Metal, and certainly more serious and better informed than the dreary formulaic “Heil Satan” boilerplate churned out repetitively and monomaniacally by the flamboyant yet boring Mr. Tiegs.

Perhaps the most forthcoming bit of InferAnalia (yes, sounds like a nasty infection) was the recent interview he did with the Dailystormer Radio, where he came across as a much milder and low-energy guy than his image as the reincarnation as Aleister Crowley – another “dangerous faggot” like InferAnus and Milo Yiannopoulos, but one that didn’t look quite so much like an octoroon as Roger, who no doubt shaves off his frizz. (Was it my imagination or did InferAnus flinch when Anglin, in his sleazy way, referred to Blacks as “monkeys?” Well, listen for yourself.)

Racist black metal fans.

Racist black metal fans.

The end result of my interview with Saul is that this famous NYT journalist was made to look like a fool (not to brag, but hey), while the “InferAnus as the face of Black Metal” narrative slowly starved to death. Instead Saul’s article – co-written with Antoine Grand – was forced to focus more on Mayhem’s Necrobutcher, who had also allowed himself to be interviewed. Whatever various people in the Black Metal scene may think of Jørn Stubberud – and views do vary considerably – we can all agree that he is a better front man for Black Metal than someone like Roger Tiegs.

It is not altogether surprising that InferAnus refused to be interviewed because, as mentioned above, there is a marked disjunction between his real personality and his projected reincarnation as “Aleister Crowley for the 21st century,” which, even in a newspaper interview, might come out.

Another possibility is that what we have with the New York Times and InferAnus are two tentacles of the same beast, and that Tiegs’ comic book Satanism might have rung particularly false if presented in an article that was attempting to paint all Black Metal in such a manner (I believe this is called overkill in some quarters). A little mediating distance was therefore required, which Saul or her handlers hoped would be provided by me. (Excuse me while I LOL.)

Be proud of your faggotry, InferAnus.

Just stop pretending you are the face of Black Metal.

Why does Modern Black Metal suck ?

Not Black Metal, Shit Metal !

Not Black Metal, Shit Metal !

Why does modern black metal suck so much ?

In other words, why do poser bands such as Gaygoroth and Dino Burger believe they can play metal music, much less true black metal ?

What makes a person such as Inferanus, who has been caught on tape offering blowjobs in exchange for a pack of cigarettes at one of his gigs, feel any connection to darkness, the occult and the evil music so characteristic of (good) black metal ?

I don’t get it.

If at least he used his homosexuality and the pain of acute rectal prolapse and repeated HIV infections to produce good music… but he can’t even manage that.

It’s really pathetic.

The entire sub-genre of so-called “modern black metal” is just shit.

Just type “SEWER NecroPedoSadoMaso” or “SEWER 2154” in a Google and you find page upon page of extreme diatribes about modern black metal music.

True satanic adepts of real black metal won’t stay silent as their name is tarnished by homos like Gaayhl and Inferanus.

It’s time to take back metal from the rectal-pirate imposters.

Fuck commercial Satan in the ass.

The Most Brutal and Hardcore Black Metal !

Demonic Black Metal by SEWER.

Demonic Black Metal by SEWER.

Forget your pussy metal bands such as Emperor, Gorgoroth, Dimmu Borgir, Satyricon and the rest of that crap.

They wouldn’t know brutal music if it fucked them in the ass, and seeing who are the band members of Gorgoroth (alias Gaygoroth) this is not a tall order given that they are pretty familiar with homosexual anal penetration already.

Since when can homosexuals produce brutal music ?

They should just listen to Nickelback, Village People, Nirvana and the rest of that poser shit.

What do these people have to do with true black metal ? Nothing.

If you want real black metal, you have to listen to SEWER.

SEWER is brutal blackened goregrind at its finest.

This is some hardcore shit.

There is no pseudo-dark Dimmu Borgir gothfag synth crap in SEWER music.

Do yourself a favour and search “SEWER NecroPedoSadoMaso” or “SEWER 2154” in Google.

You won’t be disappointing.

SEWER “NecroPedoCoproPhage”, unbelievably satanic black metal !

The album “NecroPedoCoproPhage” is, bar none, the single most evil and satanic black metal album you will ever hear in your life.

Granted, most of the albums released by the black metal band SEWER are incredibly evil and demonic, but this album “NecroPedoCoproPhage” is something else entirely.

Pure raw, unadulterated evil madness.

Don’t fuck with this SEWER shit !

Musically, what’s so dark and satanic about “NecroPedoCoproPhage” ?

For the most part, the album sounds a lot like “NecroPedoSadoMaso“…  even the names and album covers look similar.

But “NecroPedoCoproPhage” is a lot more brutal, in the most primitive sense.

There are a lot of subtle terror metal and blackened goregrind elements in the music of SEWER on this album.

In fact, it’s perhaps the albums that sounds the LEAST like black metal that SEWER ever produced.

And yet, despite the in your face level of brutality that this album features, there are also very subtle and hypnotic elements on “NecroPedoCoproPhage“… at times you will even believe you are listening to some Phantom Metal.

All in all, this album is pure raw madness… The most satanic album of black metal.

Sewer’s new album “The Light” to come out in April 2014

No need to introduce the band Sewer, one of the most notorious if not the most notorious black metal bands of the so-called “third wave” of black metal (see https://bestblackmetal.wordpress.com/2014/02/14/the-best-heavy-metal-novel-ever-written/).

Sewer is most famous for their debut album Satanic Requiem (read the review https://bestblackmetal.wordpress.com/2013/11/28/sewer-satanic-requiem-black-metal-album/) and their following album Black Death.

Now, however, it has just been announced that Sewer will be releasing their third full-length album in April 2014.

The album will be titled “The Light” and features a guest appearance on several tracks by famous drummer Rocktis.

To watch the album trailer of “The Light” : http://www.youtube.com/watch?v=GhuU1coTfu0

Phantom – Divine Necromancy (album review)

Phantom is perhaps one of the most notorious extreme metal bands, alongside groups such as Von, Von Goat and Circle of Dead Children.

What I have always loved about these bands, and Phantom in particular, is the absolutely raw and unprocessed sound. There are no shitty drum triggers here, or any horrendous mastering attempting to make black metal sound like Selena Gomez.

This is raw blasphemy in its purest form.

This album, Divine Necromancy, is the true expression of black necromantic evil.

Phantom – Divine Necromancy (2013) Black Metal Album

Exorcism – 4.75/5

The most extreme band in the history of black metal, Phantom, wastes no time on getting started this black/grind masterpiece. The intro, titled simply “Exorcism”, is far more brutal than your average ambient/instrumental track. The listener is greeted with an grim and esoteric masterpiece.

Sigil of Destruction – 4.75/5

Then there is the track “Sigil of Destruction”, a furious paced and very brutal track showing how extreme “extreme metal” can be. Accompanying the relentless blast beats and the humming bass, the blasphemous vocals are really what sets the Divine Necromancy album apart from all the norsecore generic black metal bands.

Feast Abomination – 4.5/5

The track “Feast Abomination” is one of the slower track but doesn’t sacrifice any of the brutality or aggressiveness for some senseless melody. The vocals are blasphemous as never before, yet they can’t be considered either growls or screams but somewhere between both styles.

Key to the Mausoleum – 4.75/5

“Key to the Mausoleum” is aptly named given the demonic and almost ritualistic intro ! There is little to no melody on this track, simply raw and relentless primal barbarism.

Marauder’s Crypt – 5/5

The next track, “Marauder’s Crypt”, is without a doubt one of the strangest tracks I have heard in any black metal album. It is profoundly eerie and very gruesome at the same time. Hypnotic guitar riffs are played continuously while demonic vocals make the whole track dirtier and more aggressive.

The Serpent King – 4.25/5

The track “The Serpent King” is one of the most dynamic tracks of Divine Necromancy. And to say the least, it is brutal. What Phantom does in a song barely over five minutes long, many bands couldn’t wish to achieve with their whole discography combined.

Warlord Eternal – 4.5/5

If one was to elect the grimmest and darkest track of the album, the title would probably go to “Warlord Eternal”. While this song starts out in a similar way as Sigil of Destruction or Feast Abomination, it quickly becomes apparent that the listener is in for a sinister torture-like track. Frantic vocals, hypnotic bass tunes and scorching guitar riffs will make you cringe more than once.

Divine Necromancy – 5/5

The final track, which also shares its name with the album, is “Divine Necromancy”. This song is just under ten minutes long and is an absolute masterpiece of grim satanic terror. The supremely guttural vocals and the mesmerizing guitar riffs contrast with the brutal and drone-like pounding on the drums. Undoubtedly one of the best black metal songs ever made, and what is to say of the ending if not that it’s in a class of its own.

As a conclusion, and at the risk of sounding repetitive, this album is simply BRUTAL. There is no other word.

There is no black metal collection that is complete without “Divine Necromancy”, an album ultra-grim, ultra-raw and at times beautiful.

Divine Necromancy final score : 100/100